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Francesco Hayez The Kiss 1859
Brera, Milan
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Francesco Hayez Rinaldo and Armida 1812-13
Gallerie dell'Accademia, Venice
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Francesco Hayez Crusaders Thirsting near Jerusalem 1836-50
Palazzo Reale, Turin
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Francesco Hayez The Refugees of Parga (mk22) 1828-1831
Oil on canvas,approx 200 x 290 cm
Brescia,Pinacoteca Tosio Martinengo
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Francesco Hayez Interno di Harem (mk32) Au harem Huile sur toile 61.5 x 74.5 cm
1867 Anc Sotheby Londres
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Francesco Hayez Recreation by our Gallery mk79
1823
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Francesco Hayez Odalisque mk155
1839
Oil on canvas
80x64cm
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Francesco Hayez The Kiss mk156
1859
Oil on canvas
112x88cm
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Francesco Hayez Meditation on the History of Italy 1850
Oil on canvas,
90 x 70 cm
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Francesco Hayez Portrait of Alessandro Manzoni 1841 Oil on canvas, 118 x 92 cm
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Francesco Hayez the kiss mk247
1859 ,oil on canvas,44x34.5 in,112x88 cm,pinacoteca di brera,milan,ltaly
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Francesco Hayez The Kiss The Kiss (1859)
Pinacoteca di Brera, Milan.
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Francesco Hayez Family Portrait Family Portrait (1807)
Museo Luigi Bailo, Treviso
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Francesco Hayez Aristotle Aristotle (1811)
Galleria dell'Accademia, Venice
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Francesco Hayez Ulysses at the court of Alcinous Ulysses at the court of Alcinous (1813-1815)
Galleria Nazionale di Capodimonte, Naples
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Francesco Hayez Rinaldo and Armida Rinaldo and Armida (1814)
Galleria dell'Accademia, Venice
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Francesco Hayez Portrait of Giuseppe Roberti Portrait of Giuseppe Roberti (1819)
Museo Civico, Bassano
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Francesco Hayez Sicilian Vespers, Scene 1 Sicilian Vespers, Scene 1 (1821-1822)
Private collection, Milan
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Francesco Hayez Portrait of the family Stampa di Soncino Portrait of the family Stampa di Soncino (1821-1822)
Pinacoteca di Brera, Milan
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Francesco Hayez Portrait of Antonietta Vitali Sola Portrait of Antonietta Vitali Sola (1823)
Private collection, Milan
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Francesco Hayez
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1791-1882
Italian
Francesco Hayez Galleries
Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there.
Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.
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